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HISTORY OF FABERGÉ |
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Fabergé had a very special relationship with Imperial Family. He had one room entirely dedicated to his art in the Hermitage, a store room if you like, in which hundreds of his objects were kept for the Emperor to chose from for a gift. Fabergés object dart became the gift of choice in the Imperial Palace. His items were used for all special occasions and especially Easter. Easter is the most important and festive holiday in Russian Orthodox Church. Russians have always exchanged eggs for Easter. It is not like ours Easter egg hunt - it is a gifts. They have always been a gifts from not just among family members and friends, but to patrons and bosses from workers, everyone who celebrated Easter. When Imperial Family decided to acquire these Easter eggs from Fabergé it was just an extension of this tradition that has always existed. |
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In 1885, The Tsar Alexander III commissioned Fabergé to design a simple matt white enamel egg for his wife Maria Fedorovna. The Imperial Hen Egg is enameled in opaque white, and polished to give the effect of an eggshell. The shell conceals a removable surprise of matt yellow, gold yolk. Inside the yolk sits a plump golden hen. The hen originally contained an exquisite diamond replica of the Imperial Crown with a tiny ruby pendant suspended from it. Both these surprises were separated from the egg, and their present whereabouts are unknown. |
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The Renaissance Easter Egg was the last Easter gift Alexander III was to give to Maria Fedorovna. He died in 1894. His son, Nicholas II was about to become the new Tsar of Russia. |
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Nicholas II was completely unprepared to rule Russia. In the first place, because he had no real training. He had been excluded from all government matters while his father was alive. And the second reason was the lack of temperament. He sort of did not have the fire that he would had to have to rule an empire like that. |
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